CULPA NUESTRA③ (OUR FAULT) ENGLISH TRANSLATION - Chapter 18 - 17 NICK

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

Coincidentally, indoorsy-guy Zhang Yang went to the cultivation world, being the lowest level of zombie. By using a manual book named: “ Tai Yin Refining Figures”, Zhang Yang find his own way to success and leaves a “If a zombie knows how to use a manual, nobody can stop it “ legend in the world.

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He was not a human since no human is aware of himself even before his birth.

He has no blood and no heart, but emotions?

He does have feelings, but can he express them?

Why was he called a Devil’s Spawn at his birth?

Why did they cut away his arms and a leg?

Why did no one ever visit him for years?

And why does this emptiness... feels so... just so familiar?

Why does the Void feel so... full?

Who is he? Or rather... What is he?