Immortal of the Nine Realms - Chapter 66: Envoy from Longdu

Losing his parent early on, he had to survive in a world he couldn´t even see… Blind and left alone, he was seen as a parasite by the social hierarchy of the new ages filled with martial arts and soulbonds

“Doc, it’s like the game I made is becoming a reality.”“Isn’t that nice? People are under so much pressure at work these days, but you can get away from it all, play the game, and live the life of your dreams.”“But I’m a famous ghost story game designer, I’ve conceived one hundred and twenty-six mu*der cases, portrayed dozens of mu*derers with different personalities, and to find material I’ve watched ninety-five thriller movies, more than four hundred horror comics, and collected more than two thousand urban weird tales. Now they all seem to be true!”“So …… do I look familiar to you?”

[Ding, your frog was afraid of your death, so he went on a trip overnight and stole a shelter for you! 】

…

Reborn into a world of global catastrophe apocalypse.

In the face of global recovery, zombies, fog, meteorites, prehistoric creatures, glaciers, earthquakes, acid rain and other devastating global disasters, the only thing Ye Su has to do is to survive.

Unexpectedly, he got a traveling frog when he arrived. The frog was afraid of Ye Su’s death, so he simply stole a shelter!

Ye Su: “???”

But what’s even more outrageous is yet to come.

[Ding, your frog is afraid that you are not stable enough, so he stole the source of fire for you]

[Ding, your frog was afraid that you would be bitten, so he stole the antiviral potion overnight! 】

[Ding, your frog stole the Zanpakutō for you! Additional Asura – Blade Skill! 】

So, when everyone was avoiding zombies, disasters, despairing for food and water, Ye Su had already carried a big knife, drove a car, and came out for food!

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.