MTL - The Growth of the Richest Man - Chapter 164 Entertainment

Q: How would you approach your target?

Tiger Tribe:
Jiang Yu (excited): “Cure him, give him medicine!”

Future Mecha:
Duan Jingzhe (at a loss): “… umm … feed him expired nutrients?”

Ancient Court:
Donghao Yang (banter): “Follow nature’s example and flirt shamelessly.”

Next unlucky protagonist: “…”

This is a collection of three short stories in which each protagonist crosses to another world or is reborn.

- Description from Novelupdates

She is the slow-witted idiot of the Prime Minister’s Residence. Everyone bullies her. He is the most respected and unfeeling Prince, with frightening ability and absolute envy! Together, they are conferred an imperial edict of marriage.

In order to be reborn, Shen Mubai took up the task of saving the male lead from the path of suffering. Xuanzang struggled through eighty-one trials before he finally obtained the true Buddhist scripture, and yet she, Shen Mubai, had to toss in her entire self.

Shen Mubai: Are all male leads this strange? Thanks. I want to make a complaint.

System: What does him being strange have to do with me?

Note: Xuanzang is a character in Journey to the West based on the historical buddhist monk Xuanzang. He journeys to obtain the Sanzangjing, “Three Collections of Scriptures”.

- Description from Novelupdates

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.