MTL - The Sage Who Transcended Samsara - v9 Chapter 24 Expected

With an unparalleled and exhilarating narrative, he is the nation’s lethal weapon, the soul-slaying god, annihilating all who offend the Yun nation.He is one of the Four Gods, the Hellish Evil God, undefeated and unmatched, with a name that echoes across the globe.Moreover, he is the inheritor of the Dragon Body, having slain two gods, the Flame Emperor and the Apollo God, inheriting their divine status, becoming an unyielding force that commands attention.He is Mu Chen, the Casanova for women, the nightmare for men, embarking on the ultimate urban passionate journey...

A top-secret experimental explosion transports Xiao Ming to a parallel world resembling ancient times.In this hostile land, he is the most unfavored prince, given the most barren fiefdom.Fortunately, however, a mysterious item from the experiment—the Technology Crystal—comes with him, granting him the ability to upgrade a technology tree.Thus, he begins a leisurely life in his fief, farming and developing industry.In the face of his unfriendly brothers and sisters, he has always followed the motto- friends come and get wine, jackals come and get shotguns.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.