Cannon-Fodder Heiress Turns the Tables by Fortune-Telling - Chapter 136: The gun shoots the bird that sticks its head out.

For Marco, Lucas is his meek little brother. For the rest of the world, he is the menacing Ghost of Vermil.“Angels endow blessings. Demons sow curses.” A hundred years ago, angels and demons descended on earth. It is said they are still here.Annointed with potent holy power, Marco is set to join the Kingdom's Holy Army to fight off the demonic legion. But before that, he must confront the trail of blood and ash that points to Lucas's involvement with the dark side.As mysteries unfold and loyalties fracture, Marco is faced with the question: where does holiness end and damnation begin? If all lines are blurred and the fate of humanity is at stake, will he have enough resolve to strike down the brother he once swore to protect?

【 Warning: Mature Content R-18 】Graves lived a content life, until he lost it all. After inheriting a hotel and immortality. As his final act, he sacrifices himself to save a woman's life.To his surprise, he reawakens to find the woman thanking him in an unorthodox way.His once normal life changes with this new power, and by comical chance, he throws himself into deadly situations to save women from bullets, blades, fire, planes, tanks, and trains.His new life is one of pain, except he always ends up on top.Join Graves on his comical struggle through the unnatural disasters he faces for the sake of his love life.

The gods of the divine realm are hypocritical, and the evil souls master dominate the human world.Both the soul beast race and the human race are like grass.Su Yu emerges from the mundane world, stepping over countless evil bones, ascending to the supreme divine throne.With ice sealing the false Gods, and the God King’s seal ruling all beings.PS1: No fawning over Tang San, no fawning over Huo Yuhao, and the protagonist is not a nanny.PS2: The setting is based on Douluo Dalu 1-3 and Divine Realm Legends, not adopting the Douluo Dalu 4 setting.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.